A
massive cyclone is headed for Atlantis. This
storm is, as Sheppard puts it, as big as North America—which means that
Atlantis has to work fast if their expedition is to survive. Also, the Genii are lurking around the
corner, thus setting the stage for the first siege Atlantis is subjected to on
the show. For the characters, this is
literally a recipe for disaster. As a
story, it all works out really well.
“The
Storm” and “The Eye” deliver fully on their concept’s potential. Driven by tension and suspense, it relies on
the looming threat of the oncoming storm to drive its drama. It also takes advantage of its science
fiction elements, such as when Rodney and Zelenka plan to modify Atlantis’s
energy routing system to protect the city from the storm. In “The Storm”, every precaution that
Atlantis takes to defending itself from the storm—from Teyla, Beckett, &
Ford aiding the Athosians to Sheppard’s mission to shut down the grounding
stations—every little moment just adds more weight to the conflict in the long
run. “The Eye” expands upon the
conflicts that “The Storm” built up, and thus it heightens the stakes
successfully. The Genii are interwoven
into the narrative successfully, as well.
They have a valid reason to target Atlantis during its storm, and their
path crossing with that of Atlantis feels natural. Plus, when their commander, Kolya, learns
about the city’s safety measures, he hatches an even better plan.
The
two-parter makes an effort to humanize the Genii, to a certain extent, with the
characters of Kolya and Sora. “The
Storm” actually marks Kolya’s debut, and while he is relatively more reserved
here, he is already showing signs of the cruel and ruthless villain that he
would become infamous as in later episodes.
Robert Davi is already selling Kolya as a cold-hearted brute who uses
the ends to justify the means in the name of his people. He acts according to what suits his interests
best; for one, he is diplomatic only when he needs someone alive to get a task
done, and uses lethal force when he feels like it is necessary. As for Sora, her motives and evolving
personality are properly built up over the course of both
episodes. She naturally reacts to the
Genii’s losses the way anyone who is this loyal and patriotic would—just look
at Sora’s reaction to when she hears that so many of the Genii men are being
killed. Erin Chambers did a phenomenal
job channeling Sora’s grief, rage, and survivor’s guilt in this episode. I am surprised she did not have a bigger
career outside a few notable recurring roles on TV.
All
the while, the main characters make do with the oncoming disaster in keeping
with their personalities. For example,
when the Athosians are being evacuated in “The Storm”, Dr. Beckett shows
understandable agitation and anxiety while Teyla has to stay cool in order to
keep things under control. Lt. Ford
shows his loyalty to helping Atlantis, even when he and his team are incapacitated
in Part 1. It is especially really fun
getting to see Ford and Beckett throw a lot of banter at each other in the
middle of the disaster and all the action, especially in “The Eye”. David Hewlett is absolutely on fire as
Rodney, who is showing his progressive agitation with how more and more dire
this scenario is getting while trying to carry out his part of his own
plan. He also gets to show his more
stubborn side when confronted by Kolya and acts defiantly in the name of
protecting Atlantis. This is one of the
first times on the show where Rodney acts with true bravery.
In “The Storm” and “The Eye”, you don’t see the hurricane destroy that much in its path, because extended sequences of CGI action and destruction is not the plot’s
focus. Still, the CGI renderings of the
typhoon, both from above and in proximity, are just gorgeous to look at—they
look almost like matte paintings. The
sound mixing is actually pretty solid.
The loudness of the thunder gets across just how massive the storm is,
even if the thunder kind of drowns out the actors’ voices in the sound mix a
couple of times (although they do yell loudly enough over it to be heard
clearly). My favorite visual effect in
“The Storm” & “The Eye” is a subtly slow-building practical effect: the amount of
heavy rainfall when the typhoon starts coming.
The pouring water, dark lighting, and the occasional flash of lightning
blend so well on a Puddle Jumper’s windshield and on the sets of Atlantis
itself and the CGI backgrounds to make the storm look more real. It simulates real weather so well, and
visually gets across just how powerful the storm is better than any exposition
ever could.
As Stargate Atlantis’s second two-parter,
“The Storm” and “The Eye” are just excellent. They balance out tension and drama so well at such a fast pace, and also
succeed in their effort at characterizations with both the heroes and the
villains. It makes for two of the finest hours of Stargate Atlantis’s
first season, if not the series as a whole.
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